- Feb 14, 2007
- 21,605
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as with the panic over Suicide Squad re-shoots, I'm not worried at all. I'm sure it'll all work out.
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as with the panic over Suicide Squad re-shoots, I'm not worried at all. I'm sure it'll all work out.
Apparently it was darker, but the Mouse House is making sure that changes.
as with the panic over Suicide Squad re-shoots, I'm not worried at all. I'm sure it'll all work out.
reshooting 40% of the movie though?....jesus
6 days a week for 8 straight weeks for reshoots...
Rogue One conversation 1:12:37 - 1:23:00
That Vader's fire, JIM You a member of the 501st down there?
as with the panic over Suicide Squad re-shoots, I'm not worried at all. I'm sure it'll all work out.
That Vader's fire, JIM You a member of the 501st down there?
Thanks man , no I haven't submitted an application yet but I was definitely thinking about it , the good they do for sick kids and such makes it seem very worth while
In what may reassure fans, reshoots were scheduled for the film before even a single scene was shot. It’s standard practice now for large-scale films to build in additional weeks of shooting so filmmakers can tweak a movie after the first assembly cut.
Those reshoots were originally planned for the spring, but were bumped to mid-summer to allow for extra time as director Gareth Edwards and the creative team decided what they wanted to alter. “The changes have everything to do with clarity and character development and all take place [as inserts] within scenes we’ve already shot,” said one source on the project.
In other words, the changes involve more intimate moments – not redoing entire battle sequences or plot lines. “It’s a lot of talking in cockpits,” as one insider described the new footage.
The plan now is to lock picture in mid-August and begin scoring the movie in September – which would actually be an earlier timeline than The Force Awakens, which also underwent several weeks of summer reshoots and locked picture in October.
But EW’s reporting has uncovered a new collaborator on Rogue One: Tony Gilroy, the writer-director of Michael Clayton. He was brought aboard the project in the spring to offer notes on the first cut and write some additional material to enhance the story.
Gilroy has deep ties to the Rogue One team. He also worked on the screenplays for many of the Bourne films and even directed 2012’s The Bourne Legacy, which were all produced by Frank Marshall, the husband of Kathleen Kennedy, who is the president of Lucasfilm. One source says he’s trusted by Kennedy and the story team, and has even been recruited to consult on other Star Wars projects.
In addition to his Kennedy-Marshall history, Gilroy has worked before with Rogue One director Edwards, having done similar uncredited work on the filmmaker’s previous movie, 2014’s Godzilla, to strengthen the story before release.
In addition to writing new dialogue for the reshoots, Gilroy will assist Edwards as a second unit director when cameras start rolling again.
Fears that the heavy-duty war movie is being watered down into a lighthearted caper are unfounded, according to what EW has learned. “The movie is very different than [The Force Awakens], and that’s intentional,” one source says. “It’s a war film.”
Rumors that Disney executives have forced the changes to make the movie more family friendly are also false. According to EW’s sources, there have been no test screenings, and it’s unlikely there ever will be on a Star Wars film.
The only two individuals outside of Lucasfilm who have seen Rogue One at this point are Disney CEO and Chairman Bob Iger and studio chief Alan Horn. One source close to the film said rather than feeling like Disney brass was meddling, the filmmakers were just happy the corporate bosses let them alter the schedule and make the changes they wanted.
“This is a normal part of our filmmaking process,” that source said. “We’re working and tweaking and making sure it’s right. This is how you build something in layers.”
But there’s no question: the rumors have freaked out fans. In addition to alarming the audience, this week’s ;gossip – fueled by a report in the New York Post – has also frustrated the filmmaking team, who are starting to learn the massive enthusiasm for Star Wars can be a double-edged sword. The passion is over-the-top, but so is the scrutiny.
“I can’t think of anything in world of creativity [that isn’t changed or reworked,]” one source said. “You need to do that when making these movies.”
One source asked that the Star Wars community give them the benefit of the doubt until the Celebration event in July, when some of what they’ve been working on with Rogue One will be unveiled: “People will go insane.”
we shall see once the film comes out who was lying and who wasnt
To me the main difference is this is Lucasfilm under Disney not a DC property under WB.as with the panic over Suicide Squad re-shoots, I'm not worried at all. I'm sure it'll all work out.
And rumors for Ep 7 was a hand floating thru space would be some huge plot point, and they were gonna find a lightsaber on a desert planet and spend the movie bringing it to Luke.
**** wasn't even ******* close to that.