nah its the beat period
Originally Posted by Nothin4ever
nah its the beat period
its really empty
and fab aint the type of rapper to be rapping over empty beats with a mono vocal like his
the beat sounds like a remake of a shawty redd beat with less flavor
If fabolous puts his acappella over this ..then it would sound more epic then what it is
Big_Kuntry_King_-_We_Here__Instrumental_.mp3 - 7.14MB
DONT SLEEP ^^
Serious?
Yupp. It's been bugging me for the last week. I think the "Welcome to My Workplace" floating around is an audio rip from the vid aswell.Originally Posted by yungchamp
yea i seen that on itunes but i can only find the 1:48 version on the net
[h2]Friday, July 17, 2009[/h2]http:// [h3]Fabolous: Loso's Way [Album Review][/h3]
Loso begins his most daring project yet over triumphant production by StreetRunner as he addresses the press with flames, dropping clever gems like "$$$+ em all, mother**** em all / Y'all done turned a Good Guy into a Chucky doll / I woulda been ya friend to the end, *$%!$". DJ Khalil continues to show why he's one of the freshest producers around, supplying Fab on "Imma Do It" as he drops heatrocks, as hungry as he's ever been before jumping on some boardwork done by premier production group The J.U.S.T.I.C.E. League on "Feel Like I'm Back".
Fabolous recruits charming newcomer Keri Hilson for assistance over the grandoise "Everything, Everyday, Everywhere", arguably the summer's next surefire hit. The multi-talented Ryan Leslie contributes to Loso's Way on the piano-driven "The Fabolous Life" before Fabolous slows the album down for the ladies. Jermaine Durpi provides soothing production for the (now) standard ladies tracks "Makin' Love" and "Last Time", the former featuring frequent Fab collaborator Ne-Yo (begging to wonder whether their rumored collaboration album will ever come into fruition) and the latter featuring arguably R&B's premier hook man Trey Songz.
Sid V (of Duo Live) teams up with Fabolous for easily the album's standout cut, the eeiry "Pachanga" as Fabolous goes in over the fine parallel line between a friend and an enemy and how easily the lines can be blurred and change. The menacing "Lullaby" showcases a grittier Fabolous, one arguably not seen since 2004's "Breathe", with excellent scratches of "Rock-a-bye, Baby" (of New Jack City fame) infused by Just Blaze into Alchemist's concentrated soundscape. Neo-soul songbird Marsha Ambrosius makes a key guest appearance on "Stay" as Fabolous gets introspective, touching on personal memories of his father walking out on him and how he recently became a father himself and missed out on significant moments in his son's early life before concluding his latest disc with the haunting narrative "I Miss My Love".
While originally slated to be a concept record influenced by famed flick Carlito's Way, Loso's Way fails in the same vein as Jay-Z's American Gangster: it's more of a Fabolous album then it is a concept record (as the concept only remotely appears during the final couple of records). Fabolous encorporates a variety of producers and production is excellent throughout, but the massive amount of guests combined with Fabolous' reliance on ladies-oriented tracks weighs this "R&B" album down in the long run. While his attempt to craft a successful concept album fails, his ability to appeal to all audiences makes Loso's Way a success and quite possibly his best opus since his debut on the scene.
4 spins (out of 5)
Review by Rakeem Johnson
LINK
Originally Posted by DiPlOmAt TDOt
[h2][/h2][h2]Friday, July 17, 2009[/h2]http:// [h3]Fabolous: Loso's Way [Album Review][/h3]
Loso begins his most daring project yet over triumphant production by StreetRunner as he addresses the press with flames, dropping clever gems like "$$$+ em all, mother**** em all / Y'all done turned a Good Guy into a Chucky doll / I woulda been ya friend to the end, *$%!$". DJ Khalil continues to show why he's one of the freshest producers around, supplying Fab on "Imma Do It" as he drops heatrocks, as hungry as he's ever been before jumping on some boardwork done by premier production group The J.U.S.T.I.C.E. League on "Feel Like I'm Back".
Fabolous recruits charming newcomer Keri Hilson for assistance over the grandoise "Everything, Everyday, Everywhere", arguably the summer's next surefire hit. The multi-talented Ryan Leslie contributes to Loso's Way on the piano-driven "The Fabolous Life" before Fabolous slows the album down for the ladies. Jermaine Durpi provides soothing production for the (now) standard ladies tracks "Makin' Love" and "Last Time", the former featuring frequent Fab collaborator Ne-Yo (begging to wonder whether their rumored collaboration album will ever come into fruition) and the latter featuring arguably R&B's premier hook man Trey Songz.
Sid V (of Duo Live) teams up with Fabolous for easily the album's standout cut, the eeiry "Pachanga" as Fabolous goes in over the fine parallel line between a friend and an enemy and how easily the lines can be blurred and change. The menacing "Lullaby" showcases a grittier Fabolous, one arguably not seen since 2004's "Breathe", with excellent scratches of "Rock-a-bye, Baby" (of New Jack City fame) infused by Just Blaze into Alchemist's concentrated soundscape. Neo-soul songbird Marsha Ambrosius makes a key guest appearance on "Stay" as Fabolous gets introspective, touching on personal memories of his father walking out on him and how he recently became a father himself and missed out on significant moments in his son's early life before concluding his latest disc with the haunting narrative "I Miss My Love".
While originally slated to be a concept record influenced by famed flick Carlito's Way, Loso's Way fails in the same vein as Jay-Z's American Gangster: it's more of a Fabolous album then it is a concept record (as the concept only remotely appears during the final couple of records). Fabolous encorporates a variety of producers and production is excellent throughout, but the massive amount of guests combined with Fabolous' reliance on ladies-oriented tracks weighs this "R&B" album down in the long run. While his attempt to craft a successful concept album fails, his ability to appeal to all audiences makes Loso's Way a success and quite possibly his best opus since his debut on the scene.
4 spins (out of 5)
Review by Rakeem Johnson
Yupp. It's been bugging me for the last week. I think the "Welcome to My Workplace" floating around is an audio rip from the vid as well.Originally Posted by dunnyy
yea i seen that on itunes but i can only find the 1:48 version on the net
Nahright got the same goods as the ones that were previously linked to in this post.
yea that track did sound like it was produced by shawty reddOriginally Posted by Nothin4ever
nah its the beat period
its really empty
and fab aint the type of rapper to be rapping over empty beats with a mono vocal like his
the beat sounds like a remake of a shawty redd beat with less flavor
If fabolous puts his acappella over this ..then it would sound more epic then what it is
Big_Kuntry_King_-_We_Here__Instrumental_.mp3 - 7.14MB
DONT SLEEP ^^
i like Throw it in the Bag actually.
