- 55,439
- 63,092
- Joined
- May 15, 2003
If the West still rapped on G-Funk beats with Ice-T level rhymes we'd be the laughing stock of hip hop.
The West also had people like Heiro and Del, and that's closer to what TDE is
This thread again?
New York sound played out? To each his own. I'll take boom bap over that garbage pushed by the mainstream. Macklemore and Big Sean are hardly lyrical. No one would classify them as such. Sean is another swag rapper.
New York shouldn't have to abandon its sound. It needs someone who is marketable. There are plenty of cats who can rap but can they sell records is the question?
Totally agree
What I never understand about the criticism regarding NY is why does NY has to abandon its sound?!
Why can't the sound progress but still have the essence of what it is. Boom bap is the NY sound. Nobody tells the South to give up their sound or the West Coast to change their sound so why does NY have to?!
Sorry but this is something I just don't understand. I understand that their has to be progression but there is a difference between progression and abandoning your sound.
Yep
I gotta disagree - if you're making music that sounds like it could have been made in '92, that's corny. New York never updated its sound, it just started hopping on other trends that originated in other regions. There's no need to abandon your heritage, but you have to build on it as well. I feel like Kendrick made a more "New York's Sound Updated" record with GKMC, and Cole with Born Sinner, than any New York artist in recent history. NYC is notorious for holding on to what made it great while the rest of the world moves on...
Also, I think Charlemagne is sharp. He acts like a fool half the time for comic relief but I think he has a lot of great things to say. I'd love to see him one day drop the shtick and be a cultural critic or something, I dig his perspective in these Vlad videos.
One of the main problems with New York rap is the production.
What got played in clubs and on the radio in the 90's isn't getting played in 2013. If a New York rapper raps over a song playable for the radio today, it will be a down south beat. Music is made for strip clubs now.