- Aug 22, 2011
- 23,340
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Bruh :x
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Esmail is penning full 60 minute eps and USA totally gave him the green lightI just realized this episode still has another 20 minutes
Esmail is penning full 60 minute eps and USA totally gave him the green light
The writing and performances are definitely kicked up a notch this season.
So exactly who is Ray? A guy that needs help with w/e computer business he has and is willing to help Elliot out to get that help or a psych ward psychiatrist doing sessions with Elliot?
http://www.hitfix.com/whats-alan-wa...esents-the-extreme-highs-and-lows-of-mr-robot* Finally, I want to talk for a moment about a fan theory that's been floating around for the past week. (I have no idea if it's correct or not, but if you'd rather not have something potentially spoiled — or have the way you watch the show fundamentally changed until it's proven true or false — stop reading now.) As the theory goes, Elliot hasn't actually moved back in with his mother, but is currently in prison, a mental hospital, or some other kind of facility with a strict daily regimen, and that's why his schedule is the way it is, why he's hanging around someone like Leon, watching basketball games, etc. It's not impossible, given what we've seen — though the amount of material with Ray moving about and interacting with people in the real world suggests otherwise (or suggests that Ray is somehow coming to visit Elliot in this place) — but I'd rather it not be correct. When I spoke with Sam Esmail at the end of season 1, he said he didn't want the audience to constantly be questioning the reality of other characters and locations, and that's smart. The show go to turn over that card once with Mr. Robot's true nature, and there it had been so heavily foreshadowed that it could barely be called a surprise. Do it again — and on this scale — and you risk turning the entire show into a parlor game, where viewers are never paying attention to what's happening between the characters because they're constantly looking for clues as to what's real and what isn't. Joss Whedon talked about this back when he was doing Dollhouse — how he got frustrated that after one too many "Oh, that character's really another doll" reveals, he inadvertently conditioned the audience to assume every character could turn out to be a doll — and it becomes far more trouble than it's worth in short order. But we'll see. Everyone may be overthinking what's there, even as the show itself invites us to do exactly that.