- Jan 11, 2009
- 5,315
- 1,974
No one has any idea. Someone "found" it on Tumblr. It really sounds like Abel, but I have no idea how some random XO fan/designer would have access to do that + be able to put it up without gettin bodied.
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ive been doing this for the past couple days.I've been sitting in a dark room with all his songs on for about three hours. The feels....the feels....
dude, this happened to me in Macy's a few weeks ago. I was too hype at 8:30 in the evening when all the associates were hating life because they were stuck there closing the store.WANDERLUST just randomly played while I'm shopping. The look on my face before I caught myself stanning
I think Danny Boy can get on just not the entire albumNo DannyBoyStyles man, we've seen enough.
Didn't realize Da Heala was Quenville
Da Heala & DBS co produced like 9 songs on KL with abel, according to the wiki.
he did a good job without him, thursday is a classic and i loved kiss land (conceptually) but i can see that early spark present circa rose/illangelo/doc slowly fading. we need that bounce. with his evolved songwriting, he could make a magnum opus if he reunited with those two.How did you first meet Abel?
My girlfriend was working at Poutini’s [a poutine spot in Toronto, obviously] and I used to hang out with a couple of these Australian guys that worked there. That’s where I met Abel, he was hanging out at their house. I was showing them some things in Ableton, because they were interested in that stuff and I was playing the beat for “What You Need.” I had that thing for a couple years and I didn’t know what to do with it. Anyway, Abel was there and he started free-styling on top of it.
So that was the impetus of the Weeknd?
Yeah, that’s when I asked him if he wanted to work on something—I had this idea for a dark R&B project. I think I talked to Curtis Santiago [aka Talwst, local Toronto R&B dude] about it, but he wasn’t really what I was looking for because he was on some other thing. Abel seemed to suit the project.
Right. When you two first met, was Abel’s creative direction heading in the same direction it has been over the past year?
No. When I met him I heard some of the stuff that he was doing. It was called the Noise. Remember that? It came out after he broke. It was this group, with him and another producer and it was called the Noise. They were a straight kind of R&B, just really light and kind of candlelight… [sings] “I wanna see you in your birthday suit”… And I was just like, “Aw, **** that ****. No man, let’s talk about, ******’ and getting too high and trying to **** ******* and it not working out. Let’s get really grimy about it."
jeremy rose invented the weeknd brand with abel. my favorite songs of his aren't even produced by rose, but the weeknd's melancholy/sexy style was formed by their work together. what you need, the morning, loft music, the party (first half) were the foundation of the trilogy.
he did a good job without him, thursday is a classic and i loved kiss land (conceptually) but i can see that early spark present circa rose/illangelo/doc slowly fading. we need that bounce. with his evolved songwriting, he could make a magnum opus if he reunited with those two.How did you first meet Abel?
My girlfriend was working at Poutini’s [a poutine spot in Toronto, obviously] and I used to hang out with a couple of these Australian guys that worked there. That’s where I met Abel, he was hanging out at their house. I was showing them some things in Ableton, because they were interested in that stuff and I was playing the beat for “What You Need.” I had that thing for a couple years and I didn’t know what to do with it. Anyway, Abel was there and he started free-styling on top of it.
So that was the impetus of the Weeknd?
Yeah, that’s when I asked him if he wanted to work on something—I had this idea for a dark R&B project. I think I talked to Curtis Santiago [aka Talwst, local Toronto R&B dude] about it, but he wasn’t really what I was looking for because he was on some other thing. Abel seemed to suit the project.
Right. When you two first met, was Abel’s creative direction heading in the same direction it has been over the past year?
No. When I met him I heard some of the stuff that he was doing. It was called the Noise. Remember that? It came out after he broke. It was this group, with him and another producer and it was called the Noise. They were a straight kind of R&B, just really light and kind of candlelight… [sings] “I wanna see you in your birthday suit”… And I was just like, “Aw, **** that ****. No man, let’s talk about, ******’ and getting too high and trying to **** ******* and it not working out. Let’s get really grimy about it."