- Apr 6, 2014
- 543
- 135
basically what people are saying, but heres more technical reason why. great video. i realized i have airy disks. i was calling them halos lol
Last edited:
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
No doubt.
I did it again if you don't mind. I don't shoot portraits but I do love editing them. Makes me feel like I need to shoot portraits more. I checked your Flickr and the shot again wasn't totally tack sharp. I wonder if you should do some back button focusing or something. If you had a sharp photo, this edit would even be more clear. I sharpened it a lot in PS but the face area got sort of muddy.
only question i have left for the day is how do i properly crop. like do it so it doesnt look so bad. i get lost.....
basically what people are saying, but heres more technical reason why. great video. i realized i have airy disks. i was calling them halos lol
So much KNOWLEDGE on these last couple pages
here's a few of my favs from last week
There is also a huge difference between a shot that loses sharpness because of diffraction and shooting images that are out of focus.
How did you redo this shot in LR?
Care to explain the process?
man when you coming to the bay area
i'll have to line you up some models
craigslist usually find some dope dealsAnother question I'd like to ask: Where do you guys buy your lenses?
All photoshop but I assume you can do it all in LR as well. It's really just messing with the curves, color balance, saturation, contrast, etc. I did isolate it where her skin wasn't totally getting as orange as the sun. Also did some minor dodging and burning. You just kind of have to mess with it until it gets right. I do think with model photos that white should be really blown out where as landscapes, you want all the details you can get in both the shadows and highlights. At the end of it, I resized the photo for web and did a noise reduction as well as sharpening.
Now the thing is when you stop down, of course there's a trade off. You either need to compensate with your shutter speed or ISO. However, I'll usually never shoot a portrait under 1/125th of a second, so I'd rather bump up my ISO. Camera shake can mean the difference between a tack sharp photo and just a usable photo.
good info as of late. went out this weekend and tried something new on the fly. stepped outside of my comfort zone and asked a couple people if i could take their picture. was really uncomfortable this time around. it would have been helpful to research and read about some tips and things to keep in mind when taking portraits beforehand, rather than after but will fix it for next time. i was shaking my head but having a laugh at one resource that mentioned avoiding backgrounds with something directly behind the subjects head that would make image look weird. and theres a damn t-rex eating an apple or whatever. i thought it was funny but it is what it is. constructive criticism welcomed and appreciated
man this is real. i would just say that recently i'm noticing how much this matters. it sucks going back home and looking at an image on screen and realizing you missed it and the focus is off.
is the focus supposed to be off on these or what? i cant tell right away
is the focus supposed to be off on these or what? i cant tell right away
the first might be off a little. the others might be okay. technically the compositions are flawed, i just wanted some insight since this thread and its members offer some honest photo critiques.
Damn....so much stuff being announced right now.
Sigmas new lenses with the 85mm 1.4 art lens. If that thing shoots good and is notably cheaper than the Canon one, I think I found my new 85mm lens.
^^^^^^I guess here is my take on it which might not totally make sense but it is my justification anyways. I no doubt think the 85mm L is a far superior lens than that of the 1.8 but it sure doesn't justify its price. I think that is why the 1.8 is looked at in such high regard cause it's almost on par withe the L and only misses in a few things and even performs better in ways with its autofocus. I do find the L lenses color and contrast are way better than that of the cheaper lenses. I know you can fix that all in post but I guess I do like it out of the camera rather than just "shoot now and fix later" process. I found that to be the case for the nifty fifty and the 50mm L. Of course the 50mm L would be the better lens but I would never disregard a nifty fifty as a good beginner lens.
So if the Sigma 1.4 Art has the good contrast and color as the 85mm L and renders good bokeh as well as focuses fast, I could definitely see myself getting that over the 85mm L and the 1.8.