Originally Posted by
M16
Originally Posted by
Dapper D
illphillip wrote:
M16 wrote:
Nas's stories on it are completely unbelievable and he came off as the dude that chilled at his crib getting high just focusing on his rhymes. P and Havoc came off as the grimey dudes they portrayed in their rhymes, the type of dudes you pass by and see chilling in the hood lobby at 3am getting rocks off'; and that's just a testament to how great of an album The Infamous is.
I disagree with so much of this, I don't know where to begin......but the part quoted above was the most comical. It's so funny how passionate you are about how authentic and believeable Infamous "is" or "sounds" when believeable is the last word I'd use to describe it.
To each his own though. Only on NT is this album worshipped the way it is (kind of goes back to my theory about this being some "fantasy" #!+% for frail dudes). Look at any "intelligent" top album list (if there is such a thing) and you won't see The Infamous anywhere near the top. Great album. Not what y'all make it out to be. Rae + Ghost did it better. Nas. G Rap. Wu. Eric and Ra.
But again, to me it's how dudes who don't live it get to live out their superthug dreams.
Because the dudes that actually do live it don't take that album seriously IMO. How you gon' have halfway crooks talking 'bout "ain't no such thing as halfway crooks". It makes me laugh more than anything.
P talking about "Give Up The Goods"? How many stories have y'all heard about P himself having to give up the goods?
Album is cool on some "Terminator" steez. But as far as authenticity? I mean seriously, how much of what's talked about on The Infamous can y'all relate to? I know there's cats out there living that life for real. But it's like 1% of the population. And even those dudes like to get laid once in a while. All that "killer" %@@* was OD IMO and was done more for entertainment purposes than any realism or authenticity. Gangster $!!# sells. Y'all eat it up.
Hindsight is crasy
...
See u can say that now because everyone and their mother knows that P is soft and took more L's then anyone in history...
But people weren't believing that in 95...
Just take away the image for a minute...
These dudes being fake doesn't stop the infamous from being the most accurate description of street life...
It just tells me that even though they weren't street...they had street $$*@@$ around them...
Hell I bet u if Cormega and Lake made that album and spit the exact same lyrics u would be in here talking about how realistic the album is...
Thank you. This dude is on crack talking about "Rae + Ghost did it better. Nas. G Rap. Wu. Eric and Ra. "
I mean, these are some of my favorite rappers and albums he's talking about, but dude has to lay off the pipe talking about any of these being more realistic or more dark/grimey than The Infamous. Maybe it's just something us NYC 90's heads can better understand.
All those cats did it better. Period. It is why for the most part all of those albums are held in higher regard.
Dog, I'm NY to the fullest. Those projects were far more realistic than The Infamous. Most of those artists were being truer to themselves. Or were atleast pioneers of the whole "tough guy" rap movement. MD were not.
I could give a #%%% about an album being "dark/grimey". Why would I care about that? That's not what I seek in my music. When you actually livein those conditions, you don't need to hear cats rap about it. Especially when they're not even living it. You want to hear about some other %!!#. Onthe flip, if you live in the Burbs, you probably are entranced by all that tough talk.
See, dudes in NY who were up on Hip Hop already knew MD. They were called Poetical Prophets before that. Plus they had already done Juvenile Hell. "PeerPressure" was some real %!!#. Even "Hit It From The Back" was some real %!!#.
So Dapper D, it ain't no "hindsight is crasy". We already knew these cats weren't what they portrayed. You clearly were not aware of this atthe time. So maybe you were buying that whole act. But many of us knew better. These dudes were career rappers, not career criminals. Maybe they didn'tteach that in the class where dudes are getting their "PHD in Hip Hop".
And I don't see it as an accurate description of street life. Street dudes like girls. They still party in the club. They got Baby Mother problems. Cats inthe hood +$+! more than ANYBODY. THAT'S real %!!#. What Mobb did on The Infamous was OD on the killer %!!#. Straight theatrics. Even "rock you in yourface stab your brain with your nose bone" is from a movie. And how y'all even talking about accurate descriptions of street life? M16, what streetsyou be in? What streets you get your "PHD in Hip Hop" from. What street dude would even say such a thing? %!!# is looking more like a GED to meanyway.
Fact is, I rarely see Infamous discussed as a GOAT album. Because it's not. M16, you can say whatever about all your buddies having it up there. Cool. Youcan think you're one of the most knowledgeable rap heads on NT. Cool. But fact is, it's not really in that league. There was a thread on here a whileback about WHY The Infamous wasn't discussed as a GOAT album. That thread was made for a reason. Because it really isn't.
But hey, if you think it is, do you. Maybe Vinnie Paz agrees. And I'm going to quote what LESfamilia said, because the #@*# was dead-on......
But that's the thing, man: Life itself is not that tragic, no matter who you are. I could never take an album (outside of concept albums) seriously without a girl song, or a club song, or some kind of uplifting or nostalgic song on it. That's why I totally agree with illphillip here: The more I think about it, the album sounds like a kid who was an accomplished ballet dancer of diminuitive stature in high school and his withdrawn, bookish counterpart put it together. And they did so in the hopes of evading their seemingly less-than-sordid pasts. I can't really take much of what I hear on the album seriously.