- 39,330
- 19,775
leo is top 5 actors of our time....not surprised his performance was anything less than spectacular.
Quentin Tarantino's Django Unchained (a Spaghetti Western) scheduled for release Christmas 2012
- Thread in 'General' Thread starter Started by Kimchi Papi,
- Start date
- 37,127
- 14,107
Agreed. Leo playing the 'bad guy' for practically the first time in his career was awesome.
****, I cannot find any flaws in this movie. Outstanding acting from everyone involved.
I'm sitting here and I still cannot rank the performances, it's too difficult/not even fair.
- 649
- 216
Movie was great. Everyone was great in it. Waltz basically played a good version of himself from Basterds, which I always welcomed. Leo was fantastic, and Samuel L stole the show and had me dying. I like how honest it was
- 1,566
- 198
Fantastic movie ALMOST as good as bastards. It ran a little long, but I can't say there was a portion of the movie that was wack, so it was fine.
The crowd that was in the theater was primarily young black kids (like 16-21) and they were talking about how the movie was trash. I honestly don't think they got IT
The crowd that was in the theater was primarily young black kids (like 16-21) and they were talking about how the movie was trash. I honestly don't think they got IT
- 714
- 16
for the majority of the movie i was fighting back tears so it was hard to take in most of the humor and the crowd laughing when it seems the bigger picture was being overlooked or overshadowed. i would have preferred to see it in the comforts of my own home, but this is 10/10 material hands down.
jamie is a fool for bringing the burgundy joke full circle from his tv show to the big screen. genius!
jamie is a fool for bringing the burgundy joke full circle from his tv show to the big screen. genius!
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- 7,560
- 396
Just got back from seeing it. That whole scene about the eyeholes and hoods was 
. Waltz was fantastic and hilarious as expected.
. Waltz was fantastic and hilarious as expected.
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mr marcus
Banned
- 26,572
- 5,415
Can't wait to see it
D.Josey
formerly dzaster
- 6,969
- 4,190
Man Samuel L. as Uncle Ruckus
That Mandingo fight scene had me feeling some sort of way
That Mandingo fight scene had me feeling some sort of way
- 20,619
- 1,615
checkout the soundtrack guys - it's great. Best music overall in a film all year.
- 20,619
- 1,615
My review of Django Unchained:
The “s” word has been shunned in Hollywood for a long time now, it’s almost as taboo and harsh as the dreaded “n” word itself; which has made for a lot of vilification of Quentin Tarantino’s latest spaghetti western, or southern as he’d prefer, Django Unchained.
Slavery is nothing to joke about, it’s a point in our history that we’d all wish wouldn’t have happened like many other unspeakable acts that have taken place. But if you’re not going to take what Tarantino did as a form of entertainment then don’t bother watching this. If you’re expecting a factual representation of the cotton fields and genocide of slavery then this isn’t your film.
What Django Unchained really is, is a story of two bounty hunters who become partners and search for their bounties along with Django’s wife, all under the backdrop of 1858 America.
This is obviously a Tarantino film through and through and he never lets you forget about it. From the over the top blood splatter to the hilarious scene of the KKK wardrobe malfunctions, Django Unchained is filled with scenes we’ll be talking about for years to come much like with Pulp Fiction.
We open to four slaves trekking through Texas when a German dentist riding in a horse drawn buggy, stops them in hopes that they could help him identify the location of the men he’s looking for. During the opening questionnaire he discovers that one of the slaves in line knows what the Brittle brothers looks like and intends to buy him for his services. And thus the start of a beautiful friendship of Dr. King Schultz (Christoph Waltz) and Django (Jamie Foxx) begins.
The two become quite fond of each other as Schultz dazzles Django with guns and the English language all while letting him roam free unlike any black man at this time. This dynamic-duo of Waltz and Foxx are buddy cops in a comedy before such a thing even existed. As their friendship grows and the Brittle brothers are brought to justice, Dr. Schultz makes an offer to Django saying if they partner up for the winter as bounty hunters, when the ice melts he will help Django try to rescue his wife Broomhilda.
The two are peas in a pod; probably the most enjoyable part of the film is seeing these two in action, form a bond and kinship. As the winter fades and the two have made money – it’s time to go get Django’s wife. A trip to Tennessee leads to information of Broomhilda’s whereabouts at “CandieLand” the plantation owned by the evil Monsieur Calvin Candie, played by Leonardo DiCaprio. Candie is a mean slave owner who takes pride in his property; always seen smoking, his yellow teeth are always on display as DiCaprio’s Cheshire cat smile looms large in the face of darkness.
We’re further introduced to a wild house slave in charge while Candie is away, Steven, played by the diabolical, shrewd and fast-tongued Samuel L. Jackson. His disdain for Django being free and prancing about like a white man sets off alarms that further lead to drama at the plantation.
Tarantino shows off his skills throughout the film with an impeccable script that turns an uncomfortable subject into one of hilarity. He does so by not exploiting slavery but instead use it as a vehicle for Django to prove everyone wrong. In a time where the social norm was for blacks to be in chains and shackles, Django is a free man, running around killing whites for money. This shifts the balance of power and as Django says when asked to be a bounty hunter: “what’s not to like.” It allows for harsh dialogue and crude jokes about a touchy subject, some may be too ashamed to laugh, but when you look around the theater everyone will be joining you.
This was the first Tarantino film without Sally Menke, who passed away in 2010 and it unfortunately showed. The film at a robust 165 minutes is far too long and begins to grow tiring late in its second act. It could have easily been trimmed 20-30 minutes and had a greater effect on the audience. During the first 90 minutes I really stopped myself and thought this was one of the best films of the year, up until that point, hoping it wouldn’t tank as the second act approached. That being said, my only other real issue with the film was the dramatic change in tones starting in hour two. The film goes from a wild, fun, hilarious, best-QT-film-ever, to a very serious, messy and muddled finale that really loses it’s spunk from the first half of the film.
Anchored by the best music of any film in 2012, the titular Django theme song by Luis Bacalov is one you’ll want to play over-and-over and I for one hope it wins an Oscar, it’s that damn infectious. From Rick Ross to James Brown to Tupac; Tarantino finds a way to insert them all into the medley of Django and amplify his scenes ten fold.
Christoph Waltz as Dr. King Schultz is one of the funniest characters Tarantino has ever come up with. This German bounty hunter has such a sense of humor that he can laugh in the face of bullet holes and stickups. It’s as enjoyable of a supporting role as you’ll see all year; I won’t be surprised if he gets nominated for an Oscar. In fact, you can make a case for Leonardo DiCaprio and Jamie Foxx as well to get nods in the best supporting actor category as all three were off the charts. DiCaprio is clearly entering new grounds with this role and it’s one that will stand out and be talked about for his entire career. It’s refreshing no doubt.
With Foxx, this is the role that I feel catapults him from known name to Hollywood star, if not superstar. With an upcoming mega role in The Amazing Spider-Man sequel as Electro, Django Unchained should showcase his versatility to the masses and allow a nationwide audience to soak in his skills. And next year when he dons the super suit we can all point at his work as Django as the launching point of his stardom.
This is QT’s finest work in over 20 years as copious amounts of blood soak the ground that Django walks on. While the violence is a staple of Tarantino’s, Django is bound by more then just guns and the notion of slavery. It’s the colorful lead characters, timely cameos and a script that while verbose balances off colored humor with a kick-*** time.
Rating: B+
The “s” word has been shunned in Hollywood for a long time now, it’s almost as taboo and harsh as the dreaded “n” word itself; which has made for a lot of vilification of Quentin Tarantino’s latest spaghetti western, or southern as he’d prefer, Django Unchained.
Slavery is nothing to joke about, it’s a point in our history that we’d all wish wouldn’t have happened like many other unspeakable acts that have taken place. But if you’re not going to take what Tarantino did as a form of entertainment then don’t bother watching this. If you’re expecting a factual representation of the cotton fields and genocide of slavery then this isn’t your film.
What Django Unchained really is, is a story of two bounty hunters who become partners and search for their bounties along with Django’s wife, all under the backdrop of 1858 America.
This is obviously a Tarantino film through and through and he never lets you forget about it. From the over the top blood splatter to the hilarious scene of the KKK wardrobe malfunctions, Django Unchained is filled with scenes we’ll be talking about for years to come much like with Pulp Fiction.
We open to four slaves trekking through Texas when a German dentist riding in a horse drawn buggy, stops them in hopes that they could help him identify the location of the men he’s looking for. During the opening questionnaire he discovers that one of the slaves in line knows what the Brittle brothers looks like and intends to buy him for his services. And thus the start of a beautiful friendship of Dr. King Schultz (Christoph Waltz) and Django (Jamie Foxx) begins.
The two become quite fond of each other as Schultz dazzles Django with guns and the English language all while letting him roam free unlike any black man at this time. This dynamic-duo of Waltz and Foxx are buddy cops in a comedy before such a thing even existed. As their friendship grows and the Brittle brothers are brought to justice, Dr. Schultz makes an offer to Django saying if they partner up for the winter as bounty hunters, when the ice melts he will help Django try to rescue his wife Broomhilda.
The two are peas in a pod; probably the most enjoyable part of the film is seeing these two in action, form a bond and kinship. As the winter fades and the two have made money – it’s time to go get Django’s wife. A trip to Tennessee leads to information of Broomhilda’s whereabouts at “CandieLand” the plantation owned by the evil Monsieur Calvin Candie, played by Leonardo DiCaprio. Candie is a mean slave owner who takes pride in his property; always seen smoking, his yellow teeth are always on display as DiCaprio’s Cheshire cat smile looms large in the face of darkness.
We’re further introduced to a wild house slave in charge while Candie is away, Steven, played by the diabolical, shrewd and fast-tongued Samuel L. Jackson. His disdain for Django being free and prancing about like a white man sets off alarms that further lead to drama at the plantation.
Tarantino shows off his skills throughout the film with an impeccable script that turns an uncomfortable subject into one of hilarity. He does so by not exploiting slavery but instead use it as a vehicle for Django to prove everyone wrong. In a time where the social norm was for blacks to be in chains and shackles, Django is a free man, running around killing whites for money. This shifts the balance of power and as Django says when asked to be a bounty hunter: “what’s not to like.” It allows for harsh dialogue and crude jokes about a touchy subject, some may be too ashamed to laugh, but when you look around the theater everyone will be joining you.
This was the first Tarantino film without Sally Menke, who passed away in 2010 and it unfortunately showed. The film at a robust 165 minutes is far too long and begins to grow tiring late in its second act. It could have easily been trimmed 20-30 minutes and had a greater effect on the audience. During the first 90 minutes I really stopped myself and thought this was one of the best films of the year, up until that point, hoping it wouldn’t tank as the second act approached. That being said, my only other real issue with the film was the dramatic change in tones starting in hour two. The film goes from a wild, fun, hilarious, best-QT-film-ever, to a very serious, messy and muddled finale that really loses it’s spunk from the first half of the film.
Anchored by the best music of any film in 2012, the titular Django theme song by Luis Bacalov is one you’ll want to play over-and-over and I for one hope it wins an Oscar, it’s that damn infectious. From Rick Ross to James Brown to Tupac; Tarantino finds a way to insert them all into the medley of Django and amplify his scenes ten fold.
Christoph Waltz as Dr. King Schultz is one of the funniest characters Tarantino has ever come up with. This German bounty hunter has such a sense of humor that he can laugh in the face of bullet holes and stickups. It’s as enjoyable of a supporting role as you’ll see all year; I won’t be surprised if he gets nominated for an Oscar. In fact, you can make a case for Leonardo DiCaprio and Jamie Foxx as well to get nods in the best supporting actor category as all three were off the charts. DiCaprio is clearly entering new grounds with this role and it’s one that will stand out and be talked about for his entire career. It’s refreshing no doubt.
With Foxx, this is the role that I feel catapults him from known name to Hollywood star, if not superstar. With an upcoming mega role in The Amazing Spider-Man sequel as Electro, Django Unchained should showcase his versatility to the masses and allow a nationwide audience to soak in his skills. And next year when he dons the super suit we can all point at his work as Django as the launching point of his stardom.
This is QT’s finest work in over 20 years as copious amounts of blood soak the ground that Django walks on. While the violence is a staple of Tarantino’s, Django is bound by more then just guns and the notion of slavery. It’s the colorful lead characters, timely cameos and a script that while verbose balances off colored humor with a kick-*** time.
Rating: B+
- 1,017
- 238
Seeing this today. Was hype already but after seeing it's score on RT (89%/90%) & the feedback in here I'm even more excited
- 20,619
- 1,615
My review of Django Unchained:
The “s” word has been shunned in Hollywood for a long time now, it’s almost as taboo and harsh as the dreaded “n” word itself; which has made for a lot of vilification of Quentin Tarantino’s latest spaghetti western, or southern as he’d prefer, Django Unchained.
Slavery is nothing to joke about, it’s a point in our history that we’d all wish wouldn’t have happened like many other unspeakable acts that have taken place. But if you’re not going to take what Tarantino did as a form of entertainment then don’t bother watching this. If you’re expecting a factual representation of the cotton fields and genocide of slavery then this isn’t your film.
What Django Unchained really is, is a story of two bounty hunters who become partners and search for their bounties along with Django’s wife, all under the backdrop of 1858 America.
This is obviously a Tarantino film through and through and he never lets you forget about it. From the over the top blood splatter to the hilarious scene of the KKK wardrobe malfunctions, Django Unchained is filled with scenes we’ll be talking about for years to come much like with Pulp Fiction.
We open to four slaves trekking through Texas when a German dentist riding in a horse drawn buggy, stops them in hopes that they could help him identify the location of the men he’s looking for. During the opening questionnaire he discovers that one of the slaves in line knows what the Brittle brothers looks like and intends to buy him for his services. And thus the start of a beautiful friendship of Dr. King Schultz (Christoph Waltz) and Django (Jamie Foxx) begins.
The two become quite fond of each other as Schultz dazzles Django with guns and the English language all while letting him roam free unlike any black man at this time. This dynamic-duo of Waltz and Foxx are buddy cops in a comedy before such a thing even existed. As their friendship grows and the Brittle brothers are brought to justice, Dr. Schultz makes an offer to Django saying if they partner up for the winter as bounty hunters, when the ice melts he will help Django try to rescue his wife Broomhilda.
The two are peas in a pod; probably the most enjoyable part of the film is seeing these two in action, form a bond and kinship. As the winter fades and the two have made money – it’s time to go get Django’s wife. A trip to Tennessee leads to information of Broomhilda’s whereabouts at “CandieLand” the plantation owned by the evil Monsieur Calvin Candie, played by Leonardo DiCaprio. Candie is a mean slave owner who takes pride in his property; always seen smoking, his yellow teeth are always on display as DiCaprio’s Cheshire cat smile looms large in the face of darkness.
We’re further introduced to a wild house slave in charge while Candie is away, Steven, played by the diabolical, shrewd and fast-tongued Samuel L. Jackson. His disdain for Django being free and prancing about like a white man sets off alarms that further lead to drama at the plantation.
Tarantino shows off his skills throughout the film with an impeccable script that turns an uncomfortable subject into one of hilarity. He does so by not exploiting slavery but instead use it as a vehicle for Django to prove everyone wrong. In a time where the social norm was for blacks to be in chains and shackles, Django is a free man, running around killing whites for money. This shifts the balance of power and as Django says when asked to be a bounty hunter: “what’s not to like.” It allows for harsh dialogue and crude jokes about a touchy subject, some may be too ashamed to laugh, but when you look around the theater everyone will be joining you.
This was the first Tarantino film without Sally Menke, who passed away in 2010 and it unfortunately showed. The film at a robust 165 minutes is far too long and begins to grow tiring late in its second act. It could have easily been trimmed 20-30 minutes and had a greater effect on the audience. During the first 90 minutes I really stopped myself and thought this was one of the best films of the year, up until that point, hoping it wouldn’t tank as the second act approached. That being said, my only other real issue with the film was the dramatic change in tones starting in hour two. The film goes from a wild, fun, hilarious, best-QT-film-ever, to a very serious, messy and muddled finale that really loses it’s spunk from the first half of the film.
Anchored by the best music of any film in 2012, the titular Django theme song by Luis Bacalov is one you’ll want to play over-and-over and I for one hope it wins an Oscar, it’s that damn infectious. From Rick Ross to James Brown to Tupac; Tarantino finds a way to insert them all into the medley of Django and amplify his scenes ten fold.
Christoph Waltz as Dr. King Schultz is one of the funniest characters Tarantino has ever come up with. This German bounty hunter has such a sense of humor that he can laugh in the face of bullet holes and stickups. It’s as enjoyable of a supporting role as you’ll see all year; I won’t be surprised if he gets nominated for an Oscar. In fact, you can make a case for Leonardo DiCaprio and Jamie Foxx as well to get nods in the best supporting actor category as all three were off the charts. DiCaprio is clearly entering new grounds with this role and it’s one that will stand out and be talked about for his entire career. It’s refreshing no doubt.
With Foxx, this is the role that I feel catapults him from known name to Hollywood star, if not superstar. With an upcoming mega role in The Amazing Spider-Man sequel as Electro, Django Unchained should showcase his versatility to the masses and allow a nationwide audience to soak in his skills. And next year when he dons the super suit we can all point at his work as Django as the launching point of his stardom.
This is QT’s finest work in over 20 years as copious amounts of blood soak the ground that Django walks on. While the violence is a staple of Tarantino’s, Django is bound by more then just guns and the notion of slavery. It’s the colorful lead characters, timely cameos and a script that while verbose balances off colored humor with a kick-*** time.
Rating: B+
The “s” word has been shunned in Hollywood for a long time now, it’s almost as taboo and harsh as the dreaded “n” word itself; which has made for a lot of vilification of Quentin Tarantino’s latest spaghetti western, or southern as he’d prefer, Django Unchained.
Slavery is nothing to joke about, it’s a point in our history that we’d all wish wouldn’t have happened like many other unspeakable acts that have taken place. But if you’re not going to take what Tarantino did as a form of entertainment then don’t bother watching this. If you’re expecting a factual representation of the cotton fields and genocide of slavery then this isn’t your film.
What Django Unchained really is, is a story of two bounty hunters who become partners and search for their bounties along with Django’s wife, all under the backdrop of 1858 America.
This is obviously a Tarantino film through and through and he never lets you forget about it. From the over the top blood splatter to the hilarious scene of the KKK wardrobe malfunctions, Django Unchained is filled with scenes we’ll be talking about for years to come much like with Pulp Fiction.
We open to four slaves trekking through Texas when a German dentist riding in a horse drawn buggy, stops them in hopes that they could help him identify the location of the men he’s looking for. During the opening questionnaire he discovers that one of the slaves in line knows what the Brittle brothers looks like and intends to buy him for his services. And thus the start of a beautiful friendship of Dr. King Schultz (Christoph Waltz) and Django (Jamie Foxx) begins.
The two become quite fond of each other as Schultz dazzles Django with guns and the English language all while letting him roam free unlike any black man at this time. This dynamic-duo of Waltz and Foxx are buddy cops in a comedy before such a thing even existed. As their friendship grows and the Brittle brothers are brought to justice, Dr. Schultz makes an offer to Django saying if they partner up for the winter as bounty hunters, when the ice melts he will help Django try to rescue his wife Broomhilda.
The two are peas in a pod; probably the most enjoyable part of the film is seeing these two in action, form a bond and kinship. As the winter fades and the two have made money – it’s time to go get Django’s wife. A trip to Tennessee leads to information of Broomhilda’s whereabouts at “CandieLand” the plantation owned by the evil Monsieur Calvin Candie, played by Leonardo DiCaprio. Candie is a mean slave owner who takes pride in his property; always seen smoking, his yellow teeth are always on display as DiCaprio’s Cheshire cat smile looms large in the face of darkness.
We’re further introduced to a wild house slave in charge while Candie is away, Steven, played by the diabolical, shrewd and fast-tongued Samuel L. Jackson. His disdain for Django being free and prancing about like a white man sets off alarms that further lead to drama at the plantation.
Tarantino shows off his skills throughout the film with an impeccable script that turns an uncomfortable subject into one of hilarity. He does so by not exploiting slavery but instead use it as a vehicle for Django to prove everyone wrong. In a time where the social norm was for blacks to be in chains and shackles, Django is a free man, running around killing whites for money. This shifts the balance of power and as Django says when asked to be a bounty hunter: “what’s not to like.” It allows for harsh dialogue and crude jokes about a touchy subject, some may be too ashamed to laugh, but when you look around the theater everyone will be joining you.
This was the first Tarantino film without Sally Menke, who passed away in 2010 and it unfortunately showed. The film at a robust 165 minutes is far too long and begins to grow tiring late in its second act. It could have easily been trimmed 20-30 minutes and had a greater effect on the audience. During the first 90 minutes I really stopped myself and thought this was one of the best films of the year, up until that point, hoping it wouldn’t tank as the second act approached. That being said, my only other real issue with the film was the dramatic change in tones starting in hour two. The film goes from a wild, fun, hilarious, best-QT-film-ever, to a very serious, messy and muddled finale that really loses it’s spunk from the first half of the film.
Anchored by the best music of any film in 2012, the titular Django theme song by Luis Bacalov is one you’ll want to play over-and-over and I for one hope it wins an Oscar, it’s that damn infectious. From Rick Ross to James Brown to Tupac; Tarantino finds a way to insert them all into the medley of Django and amplify his scenes ten fold.
Christoph Waltz as Dr. King Schultz is one of the funniest characters Tarantino has ever come up with. This German bounty hunter has such a sense of humor that he can laugh in the face of bullet holes and stickups. It’s as enjoyable of a supporting role as you’ll see all year; I won’t be surprised if he gets nominated for an Oscar. In fact, you can make a case for Leonardo DiCaprio and Jamie Foxx as well to get nods in the best supporting actor category as all three were off the charts. DiCaprio is clearly entering new grounds with this role and it’s one that will stand out and be talked about for his entire career. It’s refreshing no doubt.
With Foxx, this is the role that I feel catapults him from known name to Hollywood star, if not superstar. With an upcoming mega role in The Amazing Spider-Man sequel as Electro, Django Unchained should showcase his versatility to the masses and allow a nationwide audience to soak in his skills. And next year when he dons the super suit we can all point at his work as Django as the launching point of his stardom.
This is QT’s finest work in over 20 years as copious amounts of blood soak the ground that Django walks on. While the violence is a staple of Tarantino’s, Django is bound by more then just guns and the notion of slavery. It’s the colorful lead characters, timely cameos and a script that while verbose balances off colored humor with a kick-*** time.
Rating: B+
antonlavey
Banned
- 28,210
- 847
Jamie played his role very well I thought, I don't think his character was meant to be as rambunctious as Same Jackson or Waltz. I thought he played the role perfectly. But yea he couldn't out act any of those 3, I don't think most people could have.
The scene where Candie freaks out after he finds out he is the best acting I've seen from Leo hands down. I was shook. Leonardo is one of the most unthreatening looking people ever but he was heartless in this.
antonlavey
Banned
- 28,210
- 847
Spike Lee keeps talking about how this movie is all light-hearted, this one of of the saddest and most barbaric things I've ever seen. |I
- 792
- 194
Well made movie.
Tarantino delivers again.
Highly recommend.
Tarantino delivers again.
Highly recommend.
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- 4,910
I think Spike Lee might be mad that a "white man" made a good film about slavery.
I think J.Foxx was already a star with his performance in RAY. This film is just another top notch on his belt.
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- 109
Where did you see him saying that? I only ask because I just saw this article. http://www.alternet.org/spike-lee-slams-django-unchained
D.Josey
formerly dzaster
- 6,969
- 4,190
Surprised no one mentioned this movie when referring to his credentials
antonlavey
Banned
- 28,210
- 847
“American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves.Stolen From Africa. I Will Honor Them,” Lee tweeted.
He keeps insinuating that the movie doesn't portray the hardships of slavery. How better to honor African slaves, than to show a strong black male character shooting slave masters and rescuing his Bride.
I love how dude is making assumptions about the movie but hasn't even seen it. Extra seasoned salt.
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- 529
That;s my stance as well, from what I've read about it Christopher Waltz isn't a "white knight savior" for Django....and how is Spike "honoring his ancestors"...make a film about it depicting how you think QT missed on Django, Steve McQueen has less clout than Spike and he's making one about an American free man turned slave, so why can't Spike? And Django doesn't sound like it sugarcoats anything at all about how serious slavery was and the dehumanizing nature of it.
Gonna watch this Friday with my boys from HS
shoelyesses
Banned
- 5,770
- 1,292
exactly!!!!!!!!!!!!!! ppl understand how horriffic and horrible slavery was...and we have movies...several i might add that depict this. But why not show it from the other spectrum? theres two sides to every coin.... i mean at what point do you wonder and turn the coin over to see whats on the other side?
- 9,253
- 3,007
Man Spike Lee needs to do the right thing and shut the hell up.
- 1,995
- 874
Spike Lee sounds like a ****** idiot....
This movie will be a cult classic and has potential to be a monument in the film industry for quite some time.
The plot, acting, soundtrack were all executed near perfection.....what else do you want fool???
Like someone said, I just think the ***** is mad that a white man (QT in particular) made a modern testimonial relic to slavery and nobody cares about his old *** but TNT who keeps showing him at the sideline of every Knicks game....
This movie will be a cult classic and has potential to be a monument in the film industry for quite some time.
The plot, acting, soundtrack were all executed near perfection.....what else do you want fool???
Like someone said, I just think the ***** is mad that a white man (QT in particular) made a modern testimonial relic to slavery and nobody cares about his old *** but TNT who keeps showing him at the sideline of every Knicks game....
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- 2,357
I thought it was great. Nay, it was an excellent film. I sat in that theater and laughed and cringed and damn near shielded my eyes plus everything in between. No other movie has done to me, not in recent memory at least. It was long no doubt but I was definitely too into it to care. So much so that by the time they got to Candieland I had to sit cross-legged to keep from pissing myself but I wouldn't dare get out of my seat. Bravo for Waltz, DiCaprio, Foxx and of course Jackson ( who I felt was the chief antogonist, great for QT to throw a curve like that.) Like Django said: "there's nothing lower than the head house n****r". And that ending... I remember hearing or reading something about why watch movies and how it's all about the redemption. We want to see the hero prevail and the villains brought to justice. So when Steven threw down his walking cane and stood up straight to face Django I knew I would get what I no the whole damn theater was waiting for. It was perfect.
tl;dr go watch this movie
shoelyesses
Banned
- 5,770
- 1,292
