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Jimmy surprised me with this one.
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Jimmy surprised me with this one.
There’s nothing in the Program better than this album, even if it had proper mixing and mastering
Cats up in here wildin, Cam > Jim easily,
Cats up in here wildin, Cam > Jim easily, and I’m a Jim fan to the max. I give Cam the slight edge, because he can still make a career for no names if he wants to. Everybody from dipset piggy backed off of him. He said he’ll never put anybody on after Vado bounced on him, to go sign with Khaled, which didn’t work in the long run for Vado. He said after he grinded for Vado with the BOAB mixtape series, he got him a deal, then Vado ran off. With Jim, it always seems like he used the hood talent (Max,Stacks,etc) for the hooks, song concepts from them to use as his own for his personal gain, while stalling out from making them bigger names while he could’ve done it. That’s why I give the edge to Cam. Cam will blow you up ASAP, Jim will just use you, while he keeps you in the back, hidden from the spotlight.
Jim is very consistent though, there’s no denying that. He has that nack for picking the right beats and just riding it very good like Ross does. He’s not very lyrical, but he can ride a beat good, plus he has a destictive voice, which is part of the battle. It seems like a lot of Rappers are horrible at choosing beats. Imagine if Nas chose the same beats as Ross,Jim,Jeezy, Game has in the past. Beat selection is 30%, voice cadence is 20%, skill is 50%.
INTRO good part of this album. Joint trash.
Daytona, Victory Lap, Book of Ryan are way better.