- Apr 21, 2007
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Speaking of flows, apparently Drake used some UK dude named C-Biz flow on Grammy's, but all them UK heads seem to be OK w/ the ****. They not complaining they are happy.
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prime example / case study.I pay for Apple Music and downloaded the album to my phone from there that shouldn't count as a album sale?
To make it clear I'm not excusing the ghost writing when he claims to be the goat rapper.
Just explaining what ghostwriting is and isn't for those who have it twisted. Just because you hear Party rapping/singing something on a reference doesn't necessarily mean he wrote the whole thing.
Again there's reference tracks for Jay that hve Kanye and Pharrell and Timbaland's voices on it. Unless you're arguing they wrote those whole tracks too...?
Not true. You really are reaching for excuses.
You're confusing a reference track and what a producer does. A producer comes up with the beat, and often even the hook. Pharrell isn't teaching Jay-Z how to flow over a track. Jay-Z does that himself, because he's picking the beat. That's how he can hear a beat CD and pick a song(s). Pharrell is an artist and is giving his vision to sell his beat. 40 isn't the one doing this for Drake. Essentially they are using that other persons talent at song making to create a song for Drake. That like what Beyonce does when she has her camps. What Kanye does. Still with Kanye he's the one behind the scenes giving his vision of what he wants to hear so it's still his creation. I respect Kanye doing it, because he takes it to another level and does it piece by piece. That's why other producers respect him, because he will say you are better than this than me, but this is how I want my song to be. Help me create my vision as perfect to what I hear in my head. I'm not sure if that happens with Drake. I feel as thought he's a Frankenstein creation.
Drake is hogging the pen game. Let my man PND write for himself and drop his next project.
Speaking of flows, apparently Drake used some UK dude named C-Biz flow on Grammy's, but all them UK heads seem to be OK w/ the ****. They not complaining they are happy.
Redemption is PEAK drake
Like if you were to describe Drake in one song, it would be this one
No its not just you. The reason it is this way is because Rihanna doesnt get to talk about the stuff she's typically talking about on a Drake record. There's no bird things being sung.Yeah that Rihanna / Drake record on views is awful and corny.
This is probably just me, but Rihanna and Drake collabos are way more interesting when they aren't drake records.
Been sleeping on this DVSN album. This is dope.
I told ****** for years Drake had a writing team and nobody wanted to believe me
This was back during the Take Care era too.
I'm still going to listen tho. Because the people he's working with and getting material from are EXTREMELY talented. That *****'s like a vessel for great music.
It is what it is.
"And I got her n___, grocery bag"-Gudda GuddaDidn't he also take Big Sean's single word punchline style, that everybody in the game was using at one point?
That goes back to like '09
****** I know thought I was crazy when I said this way back
That garbage was Young Money's entire style at that time they took something that rappers previously used in moderation and just beat it into the ground
I already don't like where this is going cause the intro and outro are right where they need to be.
I've never been one to mess with song orders. The one thing I can kinda agree with is moving hotline bling to the beginning. It's not a part of the album to me, it doesn't fit with the rest of album and when you're listening to it in order it feels weird to have to go from Views which closes it out to that song.I already don't like where this is going cause the intro and outro are right where they need to be.
1. Views (Intro)
2. One Dance
3. Hotline Bling
4. Hype
5. U With Me?
6. 9
7. With You
8. Feel No Ways
9. Controlla
10. Summers Over Interlude
11. Still Here
12. Faithful
13. Grammys
14. Childs Play
15. Pop Style
16. Weston Road Flows
17. Too Good
18. Redemption
19. Fire & Desire
20. Keep The Family Close