🦉The Official Drake Thread6️⃣ - Drake & PND Album Fall 2024
- Jun 1, 2011
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Posted: 01/08/1210:53 AM | Drake acting a little bit too "gangsta" in that Stay Schemin video, it's kind of hilarious 
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- Jan 18, 2006
- 40,490
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This....and it seems to always work too...
- Jan 22, 2010
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I like drake, but he needs to work with a vocal coach and stick to that R&B tip he be on. you can't drop 30 songs about how soft you are and expect to be taken serious when you drop 1 talkin bout bustin shots.
- May 2, 2010
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he's been in gunfights, though....
- Sep 14, 2009
- 2,573
- 10
If you're talking about Degrassi that wasn't funny
- Dec 29, 2006
- 6,782
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Originally Posted by Tha Flashy One
Drake acting a little bit too "gangsta" in that Stay Schemin video, it's kind of hilarious
drake will steal u tho
- May 2, 2010
- 17,235
- 23,602
you seem perturbed that his character got shot
- Apr 1, 2009
- 18,297
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Originally Posted by Checks McGee
drake stan? or is that you jimmy?
you seem perturbed that his character got shot
I mean that was a pivotal point in the show.
Jimmy didn't even do anything, his boy set him up
JJ Goon
formerly prettyboy ry7
- Dec 2, 2011
- 2,970
- 751
Dude playing FIFA12
- Nov 10, 2007
- 824
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Stay Schemin' REMIX - Rick Ross, Common, French Montana and THAT #*# %%% +!$!!
LMAOOOO
http://hu.lk/ukzsrszyrya8
LMAOOOO
http://hu.lk/ukzsrszyrya8
- Mar 27, 2009
- 2,703
- 44
drake must of just won his first fist fight or something because he acting gangsta as ++%!... o_0
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MrKilluminati91 8 hours ago [color= rgb(0, 153, 0)]2
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foxdawg2000
Supporter
- Jun 12, 2011
- 474
- 24
Didn't come here to hate but french montana is horrible.. wow .. if the singing didn't kill it the rapping finished the deed.... wthOriginally Posted by bdubnyckid
Yo...someone commented on the video on WSHH saying "So why French Montana lookin like a 2012 rapping Foghorn Leghorn"�
I found this toooo funny...
- Aug 17, 2011
- 1,968
- 68
Common's diss was weak. Definitely has more bars up his sleeve though. Intrigued, I am.
da r entertainment
Supporter
- Jul 20, 2002
- 9,991
- 3,887
I thought it was just me. I don't know who in the world thought it would be a good idea to have him on the hook and then his verse was the absolute worse on the recordOriginally Posted by foxdawg2000
Didn't come here to hate but french montana is horrible.. wow .. if the singing didn't kill it the rapping finished the deed.... wthOriginally Posted by bdubnyckid
Yo...someone commented on the video on WSHH saying "So why French Montana lookin like a 2012 rapping Foghorn Leghorn"�
I found this toooo funny...
- Jun 17, 2006
- 44,220
- 2,552
Get More: Music News
- Jun 1, 2011
- 107,090
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Yea, I'm a French Montana fan, but that verse was AWFULOriginally Posted by Da R Entertainment
I thought it was just me. �I don't know who in the world thought it would be a good idea to have him on the hook and then his verse was the absolute worse on the record�Originally Posted by foxdawg2000
Didn't come here to hate but french montana is horrible.. wow .. if the singing didn't kill it the rapping finished the deed.... wthOriginally Posted by bdubnyckid
Yo...someone commented on the video on WSHH saying "So why French Montana lookin like a 2012 rapping Foghorn Leghorn"
I found this toooo funny...
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Posted: 01/09/125:19 AM |
you seem perturbed that his character got shot I mean that was a pivotal point in the show. Jimmy didn't even do anything, his boy set him up
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- Mar 19, 2009
- 143
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Tryna see Drake next month in OKC
- Sep 14, 2009
- 2,573
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I was jokingOriginally Posted by Checks McGee
drake stan? or is that you jimmy?
you seem perturbed that his character got shot
- Jun 17, 2006
- 44,220
- 2,552
Common is salty
- Jun 17, 2006
- 44,220
- 2,552
- Jun 17, 2006
- 44,220
- 2,552
Jan 10 2012 6:53 AM EST�1,549
[h1]Drake's�Take Care: Making The Album, Track By Track[/h1][h2]Producer Noah '40' Shebib gives MTV News the inside story in an exclusive interview.[/h2]
By Steven Roberts
Despite all the critical and commercial acclaim�Drake's�Take Care�has rightly earned, the Toronto MC has remained relatively quiet when promoting the album. Relative in the sense that�Thank Me Later's release was accompanied by the hoopla of in-store signings and a�documentary.
That's not the only way the two projects differ. Where�TML�featured a number of A-list hitmakers, from Kanye West to Swizz Beatz, the biggest name in Drake's sophomore effort's production credits is Just Blaze. The album certainly doesn't suffer from that lack of notoriety, however. In fact, it sounds more focused with the lesser-known�T-Minus, and Drake's right-hand man�Noah "40" Shebib�stealing the show. Their efforts helped to make it more Drake's album â however introspective, weird and altogether refreshing that might be.
When MTV News caught up with 40, he attributed their creative fearlessness to the autonomy Lil Wayne and Cash Money allowed them.
40 gave MTV News the inside look at the making of many�Take Caresongs, including those that shows us another side of Weezy:
"HYFR" (produced by T-Minus)�"He trusts us enough to take chances; he'll go there with his raps. Not just getting on the song, but he'll participate [in the song's theme]. On 'HYFR,' he'll show that introspective side of himself along with Drake. That's amazing, and those are some of Wayne's illest moments, always have been for him.
"The Real Her" (produced by 40 and Drake)�"Even on 'The Real Her,' a lot of people will be like, 'Nah, nah, I can't get on that sh--,' but Wayne will be like, 'F--- that. ... I'm going to get on that sh--.' ... I like it.' And that's what it is to me. You have to make music with that attitude. We love the music we make."
"Take Care" (produced by Jamie xx and 40)�"We've always been a fan of Jamie as well as the xx, and we had been to their studio and sat with them prior to this when we were in London last year. We had loved that Gil-Scott [Heron] record, and the remix Jamie had done, and I guess between Oliver and Drake and myself, but specifically Oliver and Drake felt that song never got its shine. 'Man, what a great record. It never was as big as it should've or could've been.' "
"Motto" (produced by T-Minus)�"That song was right at the end of the process. That's one of my favorites. T[-Minus] sent the record to Drake. I think Drake cut it in Vegas, maybe. He cut the vocals, sent it over to me, I gave it to Gadget, Gadget mixed it, sent it to mastering the next morning and got it mastered, on radio 24 hours later."
"Headlines" (produced by Boi-1da and 40)�"There's a couple of things about radio. That's a catchy song. 'They know, they know, they know.' It's corny, it's catchy, it's perfect. That will run on radio all day. You balance with those evils when you make music. I understand what's going to work on radio as much, sometimes I want to make different types of music. But the thing is, you want to win. You want to have your cake and eat it too."
"The Ride" (produced by Doc McKinney and the Weeknd)�"Was really just a vibe. It was a vibe that the Weeknd caught, and it was just so crazy that Drake wanted to rap on it â as simply put as that."
"Underground Kings" (produced by T-Minus and 40)�"Sometimes, Drake will have a song title in his head or an idea of what the record is and what he wants it to be and then he'll search for the beat, and I think he found that beat from T-Minus. It was just a matter of finding a place for the chorus. We got the mix right and the bass sort of eating up any speaker that gets in the way of it."
"Marvin's Room" (produced by 40)�"The honesty is mind blowing. He says things in that record that are like, 'Whoa, really?' But that's shock value, and that's a great thing to bring to the table. The further it goes, the bigger the smile on my face. I want him to say the craziest sh-- you can imagine."
"Buried Alive" (produced 40 and Supa Dups)�"I had given it to Drake at some point, because he had asked for it or wanted it. He just sent it to Kendrick [Lamar] at some point. I had no idea. A few days later, he was like, 'I got this Kendrick verse!' 'On what?' 'On the beat you did!' 'What beat?' When we listened to it, we loved it."
[h1]Drake's�Take Care: Making The Album, Track By Track[/h1][h2]Producer Noah '40' Shebib gives MTV News the inside story in an exclusive interview.[/h2]
By Steven Roberts
Despite all the critical and commercial acclaim�Drake's�Take Care�has rightly earned, the Toronto MC has remained relatively quiet when promoting the album. Relative in the sense that�Thank Me Later's release was accompanied by the hoopla of in-store signings and a�documentary.
That's not the only way the two projects differ. Where�TML�featured a number of A-list hitmakers, from Kanye West to Swizz Beatz, the biggest name in Drake's sophomore effort's production credits is Just Blaze. The album certainly doesn't suffer from that lack of notoriety, however. In fact, it sounds more focused with the lesser-known�T-Minus, and Drake's right-hand man�Noah "40" Shebib�stealing the show. Their efforts helped to make it more Drake's album â however introspective, weird and altogether refreshing that might be.
When MTV News caught up with 40, he attributed their creative fearlessness to the autonomy Lil Wayne and Cash Money allowed them.
"We're afforded all of the creative freedom in the world," 40 explained. "They really trust us and have from day one. It's a great feeling to know that me and Drake just get to make music. We don't really have to clear it with A&Rs or anybody. We are our own A&R's. We just make it happen, and we take it, say, 'Hey, look, this is what we did. Let's put it out.' "40 gave MTV News the inside look at the making of many�Take Caresongs, including those that shows us another side of Weezy:
"HYFR" (produced by T-Minus)�"He trusts us enough to take chances; he'll go there with his raps. Not just getting on the song, but he'll participate [in the song's theme]. On 'HYFR,' he'll show that introspective side of himself along with Drake. That's amazing, and those are some of Wayne's illest moments, always have been for him.
"The Real Her" (produced by 40 and Drake)�"Even on 'The Real Her,' a lot of people will be like, 'Nah, nah, I can't get on that sh--,' but Wayne will be like, 'F--- that. ... I'm going to get on that sh--.' ... I like it.' And that's what it is to me. You have to make music with that attitude. We love the music we make."
"Take Care" (produced by Jamie xx and 40)�"We've always been a fan of Jamie as well as the xx, and we had been to their studio and sat with them prior to this when we were in London last year. We had loved that Gil-Scott [Heron] record, and the remix Jamie had done, and I guess between Oliver and Drake and myself, but specifically Oliver and Drake felt that song never got its shine. 'Man, what a great record. It never was as big as it should've or could've been.' "
"Motto" (produced by T-Minus)�"That song was right at the end of the process. That's one of my favorites. T[-Minus] sent the record to Drake. I think Drake cut it in Vegas, maybe. He cut the vocals, sent it over to me, I gave it to Gadget, Gadget mixed it, sent it to mastering the next morning and got it mastered, on radio 24 hours later."
"Headlines" (produced by Boi-1da and 40)�"There's a couple of things about radio. That's a catchy song. 'They know, they know, they know.' It's corny, it's catchy, it's perfect. That will run on radio all day. You balance with those evils when you make music. I understand what's going to work on radio as much, sometimes I want to make different types of music. But the thing is, you want to win. You want to have your cake and eat it too."
"Crew Love" (produced by 40, the Weeknd and Illangelo)�" 'Crew Love' is just a moment for Drake as far at the content of the record and what was going on around him in life and his people and his team. That was just an important record for him to make, and Weeknd was someone he wanted to include on that.""The Ride" (produced by Doc McKinney and the Weeknd)�"Was really just a vibe. It was a vibe that the Weeknd caught, and it was just so crazy that Drake wanted to rap on it â as simply put as that."
"Underground Kings" (produced by T-Minus and 40)�"Sometimes, Drake will have a song title in his head or an idea of what the record is and what he wants it to be and then he'll search for the beat, and I think he found that beat from T-Minus. It was just a matter of finding a place for the chorus. We got the mix right and the bass sort of eating up any speaker that gets in the way of it."
"Marvin's Room" (produced by 40)�"The honesty is mind blowing. He says things in that record that are like, 'Whoa, really?' But that's shock value, and that's a great thing to bring to the table. The further it goes, the bigger the smile on my face. I want him to say the craziest sh-- you can imagine."
"Buried Alive" (produced 40 and Supa Dups)�"I had given it to Drake at some point, because he had asked for it or wanted it. He just sent it to Kendrick [Lamar] at some point. I had no idea. A few days later, he was like, 'I got this Kendrick verse!' 'On what?' 'On the beat you did!' 'What beat?' When we listened to it, we loved it."
- Jun 17, 2006
- 44,220
- 2,552
- May 2, 2010
- 17,235
- 23,602
the kobe line on stay schemin tho
- Jul 23, 2006
- 7,937
- 162
Was it THAT funny though....?
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